The above sketch was done in about one hour using a wet into wet technique. No preliminary drawing was done. Although initially it looked chaotic to the group I was demonstrating to, I was, even at the earliest stage, planning and allowing for my highlights to be preserved. If things go wrong there is still the possibility of lifting out with a sponge or tissue.

The same approach was used in this sketch. Having established the position of the features I started to build up the depth of tone. At various points I dried the painting and went in with a dry brush technique, as in the eyes.

The above was a preliminary sketch I did for a more finished portrait. Again this was completed in less than an hour.

“Mary.”     A portrait in watercolours.

This more finished portrait took considerably longer, requiring as it did layer upon layer of transparent glazes to achieve the detail I wanted.

I find watercolour the most amazing medium and one which offers a luminosity and delicacy unrivalled by others.

In a later blog I will demonstrate a watercolour portrait from start to finish and will describe the materials, techniques and colour mixes I use.

Pen/ink/wash is a marvellous medium for sketching en plein air. Few materials are required to be transported and one can sit quite unobtrusively drawing away without the usual crowds the sight of an easel can attract. It is ideal for rapid sketches, but its intricacy and detail can also be used to great effect in more highly finished work.

5 TOP DRAWING AND PAINTING TIPS

Vary the thickness of one’s line.

When cross hatching , change the angle of the pen stroke very gradually.

Never cross hatch at right angles.

Try to keep the watercolour washes fresh.

Use  transparent rather than opaque colours.