Royal Watercolour Society Friends in East Anglia Exhibition

For the next two weeks I am taking part in an exhibition in Newmarket. It is by the Friends in East Anglia of the R.W.S.

Exhibits are not only in pure watercolour, but also include any water based medium such as gouache , acrylics, or pen ink and wash.  The subjects are very diverse  -  from East Anglian seascapes and landscapes to further afield.  Abstracts, animal portraits, flower paintings, and architectural interiors are also included. Below are  a few examples of the paintings on show.

Pretty Prawn

“Pretty Prawn”  by Tessa Shedley Jordan

Swimmer

“Swimmer”   by Gillian Marklew

 Prospect of Whitby

The “Prospect of Whitby” by Les Williams

Old Hulks, Pin Mill

“Old Hulks, Pin Mill” by John Glover

The exhibition is in the Palace House Mews Gallery

Exhibition

and runs until the 18th October.

Sam Motherwell's Exhibition

In previous blogs I have spoken both of charcoal techniques and working “en plein air”.

In his new exhibition at the Barnabas Gallery in Cambridge, Sam Motherwell manages to combine the two. There are over 30 charcoal drawings done on the spot in Iceland, Scotland, Finland, India, Nambia, Spain , Egypt and Greece.

Sam Motherwell

Dr. Sam Motherwell.

Done quickly, Sam’s drawings retain a freshness and spontaneity that can so easily be lost when using charcoal as a medium. He has a very individual style which reminds me of the work of Paul Hogarth. Like Sam, Hogarth  worked almost exclusively in black and white, illustrating books by Brendan Behan and also those on his own travels around the world. Both artists balance line and mass, shift perspective and create almost abstract patterns out of everyday scenes and people.

Sam & Pat Motherwell

Sam and Pat Motherwell chat to Colin Hayes at the Private View.

Private view

Other guests.

As well as showing Sam’s drawings, this exhibition offers the rare opportunity to view a working studio and print workshop, and to discuss  other processes such as lithography, etching and linocut.

Sam Motherwell's studio

Sam’s studio within the St. Barnabas Press.

Sam Motherwell’s Exhibition runs from 25th April- 16th May at the Barnabas Gallery, Coldhans Road, Cambridge CB1 3EW. Mon-Frid. 10-6, Sat. 10-4

Also worth checking out is Sam’s recent publication – “Mill Road stories without words”.  It is a book of 114 evocative linocuts of Mill Road, one of Cambridge’s most colourful streets.

Finally, Sam in  flamboyant  mode. Behind him, a portrait I painted last year as his term of office as the President of the Cambridge Drawing Society drew to a close.

dr-s-motherwell

Composition and the art of cropping

All too often as artists, we are seduced into attempting to paint the “grand vista.” We set our easel down and immediately set to work without really having considered all the possibilities that lie before us. In our haste, we don’t don’t really think about composition and what it is has attracted us to the scene or object in the first place. Only after we have laboured for a couple of hours do we realize that all is not well , throw our hands up in despair and wish we had left this bit out , included something else, or had a completely different format altogether.

So I stress to my students the value of making preliminary compositional sketches, no matter how small and get them to compare and contrast these. I try to get them to actually “see” what they are looking at. I even suggest that they might wish to change their position and angle of view. And most importantly I reassure them that they don’t have to paint absolutely everything in sight!

Here we can learn a lot from the art of photography. Many is the time I have watched how my friend Phillip Dunne, a professional photographer and teacher, explores his subject and observes things I would have probably walked past. It would be nice if some of his skills are rubbing off on me!

In my last blog, I included a photograph of on old rotting timber boat beached like a whale. I loved the play of  light on it  and the beautiful shapes it made.Rotting hulk, Kirkcudbright

But wandering round this wreck, lots of other possibilities for paintings came to the fore. “I don’t have to include the whole boat. Let me try a bit of cropping and see how it looks”. I then focused on the bow, as below.Bow

“Perhaps I can crop even closer?  What effect will that create? “The final crop

Interesting? More dramatic?

I took a couple of other shots to add to my compositional ideas for painting.

Stern

The beautiful curve of the stern appealed , as did the dramatic shadows and bright blue sky.

Finally, I moved in really close to take an almost abstract shot of the hull, with its weathered timbers , rusting ladder and pattern of

Abstract keel.

cast shadows.

As I hope I have demonstrated, every object or subject has an endless range of possibilities to explore. So take time, observe and plan before grabbing the paint brush.

If you enjoyed these photographs and find they help you to create a painting or drawing, why not let me have a photograph of the finished work and I will post it here on the blog? It would be lovely to see your pictures.