Today was my third portrait sitting with Judy. Prior to it I had spent a lot of time painting her costume as well as considering what to do with the background.
As can be seen if you compare this with my previous blog, I have begun to paint her headdress and necklace in much greater detail. Each particular section (e.g. orange) I painted in a slightly darker tone . With a fine sable, I then outlined the rows of beads . Then it was time to apply a mid tone , before flicking in little pinpoints of light. My original dark tone acts as the shadow area between the beads. All that remains, when this is dry, is to indicate individual shadows on the beads. The triangular metal piece on her head dress (which indicates she is a married woman) still requires some light, shade and reflection to be added. The white strings are simply blocked in at the moment and also need a bit more definition and shadow.
A close up detail of her necklace illustrating the technique described above.
I have also been working on other areas of the costume, and blocking in the large patterns. It is indeed time consuming but there is no way it can be rushed. With her cloak, I am beginning to suggest the folds and creases. These will have to be completed before I superimpose patterns of little black dots.
I have also added at this stage a very colourful bangle and belt.
During our sitting today, I focused on her face, looking at the cool bluish reflection on the left, trying to correct the modelling in her neck, chin and around her mouth. The hair had to be adjusted also.
The background I have also started. Initially, I thought of a bold bright colour like pale blue. But i have now decided to apply gold instead, with all its connotations. The photograph, however, does not convey the richness of it.
This is how the portrait now looks at the end of the third sitting.
Keep watching my blog to see how the painting develops and how it looks when completed.
Hi John
I love watching your amazing picture of Judy as it develops.
It reminds me of the portraits of New Zealand Maori Chiefs and women of high rank painted by the celebrated artist Charles Fredrick Goldie.
Regards
Rachel
Hi Rachel,
Thanks for your comments on my portrait of Judy. She is a very stunning subject to paint which does make my job a whole lot easier. I am very much enjoying working on the canvas but still have lots to resolve. So keep watching the blog!
Now that you have drawn my attention to it, I can see parallels with portraits of Maori chiefs etc. You don’t have any coming over to visit in the near future that I could press-gang into sitting? Thanks also for introducing me to the work of Charles Fredrick Goldie. I have to confess I had not heard of him, so very much look forward to doing the research.
I am also contemplating doing a blog on the B.P. Portrait award. As you have been to see it, I would very much welcome your response and comments in due course.
Best wishes,
John